On the white wall of a collective exhibition, the first work the visitor sees is a sentence, 265 centimetres long, the letters of which are stand out in relief from the wall. The sentence reads: THE WOMEN’S WORK IN THIS EXHIBITION IS BETTER THAN THE MEN’S. The intention of this work is to influence, alter and question the judgements of value which the spectator may have on the other works in the exhibit, with the intention of invading and impregnating the works of others and modifying his or her perception.
